Gear

As a cinematographer focused on agile, high-quality productions, I’ve recently added two powerful tools to my setup: the Canon EOS C80 and the Canon RF 24-105mm f/2.8 L IS USM Z lens.

This combination gives me the flexibility, image quality, and workflow efficiency I need for professional-level video work — whether in the field or on set.

Why I chose the Canon EOS C80

The Canon EOS C80 is a compact cinema camera built for serious production. With internal 4:2:2 10-bit recording, RAW capabilities, and Canon’s renowned Dual Pixel CMOS AF, it delivers cinematic results in a body that’s ideal for solo shoots or lightweight rigs.

Key features include:

  • 6K full frame BSI sensor
  • 6K oversampled 4K video
  • Internal Cinema RAW Light and XF-HEVC S, XF-AVC S and XF-AVC, 4K 4:2:2 10bit MP4/MXF
  • Dual Pixel CMOS AF II with EOS iTR AF X
  • Triple base ISO/ 800 / 3200 / 12800 ISO
  • 5-axis image stabilisation
  • Compact, lightweight design with pro audio inputs
  • Dual SD card slots for flexible workflows
  • Full integration into the Canon Cinema EOS ecosystem

For documentary, commercial, or narrative projects, the C80 hits the sweet spot between mobility and uncompromising image quality.

The Canon RF 24-105mm f/2.8 Z: One lens, endless possibilities

This lens breaks new ground as the first constant f/2.8 zoom to cover the 24-105mm range in the Canon RF system — perfect for video production.

Here’s why it stands out:

  • Constant f/2.8 across a versatile zoom range
  • Outstanding edge-to-edge sharpness
  • Smooth, clickless iris control
  • Optimized for professional video capture and long-format work
  • Built for demanding run-and-gun and studio setups alike

This is not a hybrid compromise — it’s a purpose-built lens that serves the needs of working cinematographers.

Canon EOS C80 with Canon RF 24-105 2.8 Z
Canon EOS C80 with Canon RF 24-105 2.8 Z

Thank you to Canon Greece and Manios Cine Tools

Huge thanks to Canon Greece and Manios Cine Tools for their ongoing support and for providing access to gear that empowers independent filmmakers and professionals alike.

Their commitment to the creative community is deeply appreciated.

Final thoughts

Adding the Canon EOS C80 and RF 24-105mm f/2.8 Z lens to my gear unlocks new levels of performance, versatility, and confidence on set. It’s a combination that’s built for serious storytelling.

More tests, footage, and project updates coming soon.

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